Ecocriticism in Steven Becker: A critical study of Tuna Tango

Abstract

This dissertation presents an ecofeminist analysis of an excerpt from Tuna Tango and unveils a nuanced depiction of women entrenched within patriarchal norms and subjected to the male gaze. The text's language objectifies women, prioritizing male desires, perpetuating detrimental stereotypes, and highlighting issues pertaining to consent. This revelation serves as a compelling call to scrutinize the gendered power dynamics and objectification pervasive in literature and society. Tuna Tango weaves a tapestry of environmental values that shape our perceptions of the natural world. These values underscore the importance of appreciating nature's beauty, promoting conservation, and acknowledging the ethical responsibility of environmental stewardship. They illuminate the awareness of environmental consequences and economic pressures, fostering a holistic approach that demands respect and responsibility as stewards of the Earth. The conclusion of the passage from Tuna Tango underscores the potential for women to unite and support each other when confronted with external challenges and adversity. This representation shatters gender stereotypes, emphasizing the strength of female solidarity against male-centric power dynamics. It aligns with ecofeminist principles, accentuating the agency and power derived from women's collaborative efforts and mutual support. Tuna Tango employs vivid descriptive imagery, symbolism, metaphor, and juxtaposition to artfully portray the natural world. This evocative language and imagery immerse the reader in sensory experiences and emotional connections with nature, enriching the understanding of the intricate relationship between humanity and the environment. This multifaceted portrayal illuminates the beauty, challenges, and complexities inherent in this interaction, encouraging a profound appreciation of the natural world.